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Children's Indie-Folk Singer/Songwriter, Author, Founder of Paper Dove Press

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Laurel Nakai

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The Pros and Cons

March 22, 2017 Laurel

When I first decided to self publish my book, there seemed to be very few resources available for children’s picture books. Self-publishing novels for adults or older kid-readers is a process too, but there are very specific challenges that come up for children’s authors, most apparent is the need for illustrations. Children also overwhelmingly prefer print books, which adds to the cost and challenge of production and distribution.

For this series, I will talk about what I learned in the process of self-publishing a children’s book. I will share the resources I found, and also talk about some of the mistakes I made that hopefully you can learn from. I hope that this can be a resource for others who want to publish their work. I will mention organizations, groups, and other bloggers that can offer helpful information. I wish I had all of this when I first started. If you find this helpful, please pay it forward and share with those who might also benefit.

First, let’s talk about the difference between Self-Publishing and Traditional Publishing.

 
photo credit: d6v1d Book store via photopin (license)
 

Traditional Publishing

This is how it works (a very brief and general overview):

Write a book! (yay!)

Edit book (and edit, and edit…)

Research agents or editors

Write Query letter and send to agents (be ready to submit up to 50 or more different agencies or publishers)

Land an agent or Publisher (Sweet!)

If you submit and get accepted by an agent, the agent will do the work of submitting your manuscript to publishers. They will be able to negotiate your publishing contract and generally have relationships with publishers that can be helpful in getting your work out there and getting the best contract. There are some publishers that do not accept unsolicited manuscripts (that means manuscripts that don’t come through an agent. However, there are still plenty of publishers, especially independent and small presses, that accept unsolicited manuscripts. You can submit directly to the publisher and if accepted, they will offer you a publishing contract.

Special consideration for picture books: If you are a writer and do not illustrate, ONLY SEND THE WRITTEN MANUSCRIPT. Most publishers will want to use their own illustrator and will match you up with someone if they decide to publish your book. If you are the author and illustrator, you will need to submit a dummy that includes a few samples of the illustrations, not the entire book. 

Editor at publishing company will work with you on further edits/suggestions

Once your contract has been accepted, it could take up to two years before the book actually makes it to store shelves.


Pros:

Don’t have to worry about distribution and marketing*

You can concentrate mostly on the creative work and less on the business side

Name recognition

With an agent, may get a better publishing deal

Leg up in the marketplace

Payment with advance and/or royalties

Work with professionals who know the ins and outs of the industry

No upfront costs to you

More natural access to festivals and places to promote your book

 

Cons:

The time it takes to submit and deal, as well as time it takes to get book published

Difficult for niche genres or topics

Most authors are still required to do a lot of their own marketing

Smaller share of royalties

 



photo credit: Kerri Lee Smith It's the little things... like coloring books via photopin (license)

Self-Publishing

This is how it works (a very brief and general overview)

Note: I’ll use a picture book since that’s what I did. If you don’t have pictures you can disregard some of this, but you’ll still need artwork for your cover design.

 

Write a book! (yay!)

Edit book...

and edit, and edit, and edit…you may decide to hire an editor, definitely recommended if it’s a longer book. Even with picture books, it’s a good idea to workshop the manuscript, and edit work through multiple drafts.

Figure out the size and style of book:

hardcover or paperback, layout, portrait, square? Case laminate, book jacket? Paper quality: gloss, matte, weight, etc.  It’s a good idea to look at industry standard sizes. You want your book to look as close to traditionally published books as possible.

Find an illustrator

pay that illustrator, and work with them to do inside illustrations and cover design.

Hire designer to do the print layout (if you can find an illustrator who is also a designer this is a plus!)

Make sure to include copyright page

Copyright and library of congress registration

Buy ISBN and Bar codes

Decide on Printer

two options:
on demand printing- like createspace or Ingram Spark (low upfront cost, but more per book)

Or

Off-set print run- Large upfront cost, but cheaper per book, often need to buy in large quantities 500 to 1,000 minimum.

Figure out distribution

Will you sell books online? Ship them out yourself? Use a distributor like Amazon or a warehouse that also does fulfillment?

Marketing plan

How will you market and advertise your book? Online? Local book stores? Book festivals?

 


Pros:

Creative control

Larger share of profits

Can be good for niche projects especially if you know the audience

Often faster than traditional publishing

Don’t have to go through gatekeepers (agents, editors, publishers)

 

Cons:

Need to know the business as well as the creative side

Lots of initial set-up and details to take care of in order to get the book ready for publication

All of the marketing and distribution falls on you

Cost
 



So there you go,

an extremely basic rundown of the process of traditional vs. self-publishing and some of the pros and cons of each. I will be going into some of these topics in detail for further posts, including finding and working with an illustrator, printing, funding your self-published project, so stay tuned for that! Some of the main reasons I decided to self-publish was for the creative control and the desire to learn more about the industry. My book was a very personal project, and I had a very clear vision of how I wanted it to turn out. Once I found the right illustrator, I couldn’t imagine doing the project without her. It would not have been the same book. I loved being able to talk about aspects of the illustrations and work closely with her, which you often have no say in with traditional publishing. My entrepreneurial spirit also really resonated with the idea of carving out a niche for myself and being at the helm of my project. I was interested in learning about all the aspects that go into creating a book, and even if I eventually end up doing traditional publishing as well (which I also aspire to) my experience with self-publishing will be a great resource.

 

What did I miss? What should I add to the list of pros and cons?

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In Writing Tags self-publishing
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